And that’s what “Prototype” has in spades. So crazy that it works. It’s the coldest moment on one of Outkast’s most gloriously frigid songs. And it’s fucking perfect. 1 hit, but what makes “Ms. His partner called him into the studio and hit play on the sampler. And of course they’d eventually release it as a single, except they’d make sure to not make it the first single, because that’s what everybody else would’ve done, and Outkast is not everybody else. “Cops and robbers, niggas be bound to get them dollars and cents,” he sermonizes, “They get in a slump like baseball players when they short on they rent.” Even if “Slump” recognizes that the game is rigged, it reminds listeners that some folks still have to play it. —Sayles, Amid all the humid, luxuriant funk of Southernplayalisticadillacmuzik, what strikes you first about “Hootie Hoo” is how chilly and stark and ominous it is: a menacingly minimalist bass line, a pristine drum break from Black Sabbath’s “Behind the Wall of Sleep,” and a childlike falsetto chant (Hootie hoo!) In short, it’s Outkast doing the absolute most, and we couldn’t ask for anything more. Find OutKast bio, music, credits, awards, & streaming links on AllMusic - Atlanta duo whose blend of gritty Southern soul,… —Lex Pryor, If you want me to add your song to my playlist of saved jawns, throw in a beat change-up. In combination, “Git Up, Git Out” strikes the balance between preachy and unbelievable. On the titular single, Big Boi explicates the album and, for that matter, the group: “We prayed together through hard times, swung hard when it was fitting / But now we tapping the brakes from all them corners that we be bending.” —Charity, If Outkast’s chief goal was to differentiate themselves from the rest of hip-hop, then “GhettoMusick” is something of a manifesto. A vaguely futuristic, synthesizer-drenched album punctuated with anthemic choruses and bluesy beats, Aquemini addresses numerous topics such as emancipation, drug addiction and problematic relationships, while exploring the bleakest aspects of humanity. But Sleepy Brown’s stupendously chill chorus (love the whispered “It’s the master plan!”) is all you really need to know about both the problem and the solution. A slow-churning ballad driven by a gurgling bass line and André 3000’s deft touch, “Prototype” is a transportive jaunt that feels more than it sounds. Last February, just before his 78th birthday, George Clinton talked about adaptability as the trick to timelessness. Nate rapped a cappella over the phone, and Big Boi recorded his verse about life in jail and waiting to get out. Each section of the track is brutally contemplative, equal parts angry and unsure. … Man, whatever. —Holmes, Technically speaking, “The Way You Move” was still part of an Outkast project, given that it’s from the Speakerboxxx/The Love Below double album that the group released in 2003. BUT REALLY, “The Way You Move” was understood to be Big Boi’s debut as a solo artist, similar to how “Hey Ya” was understood to be André 3000’s debut as a solo artist, which also came from the same double album and had been released a month earlier. The second name the two chose was Misfits. “It’s like the room started glowing. One started dressing differently. Much has been said about Dre’s “The South Got Somethin’ to Say” moment at the 1995 Source Awards, but little attention is paid to the purple dashiki he wore as he issued his rebel yell. While the original Organized Noize–produced track more than holds its own, DJ Swift C’s remix—which features an assist from Babyface—is arguably even better. For-ever-ever? And then, halfway through, the beat drops. Perhaps a song that leaves that much room for misinterpretation shouldn’t be in the running for the best song from one of the best rap groups of all time. —Charity. She had the mug, she had the ink pen, she had the headband, everything. Jackson”—I wasn’t 10 years old when the album came out, but can clearly recall football pads paired with vaquero chaps, Sleepy Brown in a fur coat, and nodding house pets. 1 hits would come later). Big Boi opens the talks, calling for very earth-bound groundwork. “Crumblin’ Erb” is a song about street violence (Big Boi: “And drive-bys, kiss yo’ ass bye-bye, sayonara suckers / I flipped the script and turned the page, ain’t scared of you motherfuckers”) and the ideal way to reduce it (André 3000: “We is gonna smoke out until we choke out”). Almost two decades after its release, it still barely makes sense—an upbeat, acoustic guitar-led, ’60s-evoking pop song made by one half of an iconic rap duo from Atlanta, about freaking divorce. Some of OutKast's most popular songs include 'Ms. Where Big shows us a snapshot of a day in his world, Dre takes us on a trip through someone else’s. And just as my brain starts to fry from André opening my third eye, the hook and scratches courtesy of Mr. DJ come in and my feet start moving as my mind goes numb again. Forget New York; forget L.A.; ATL won this day. For nearly four minutes, the larger-than-life characteristics of André and Big Boi begin to form. He gets what he wants because he wanted it. And the whole thing—calling their shot beforehand and then nailing it exactly correctly reminds me a lot of the stories about Michael Jordan telling defenders what he was going to do before he’d do it and still they had no answer for it, no way to stop it, no way to fully prepare for it, because he was Michael Jordan and nobody else was. Outkast’s best song is fueled by an almost dangerous level of energy. is a single by the hip-hop act OutKast from their 2003 album "Speakerboxx/The Love Below". “I apologize a trillion times,” concludes the pop-supernova chorus to Outkast’s first no. Writing about Outkast is hard.) Jackson,” the massive hit single from Stankonia, dealt with his relationship with Erykah Badu, the ex whom he had a son with. Although, as far as I can tell, Outkast invented marching bands in the first place. Let us know what you think of the Last.fm website. Outkast's songs: Listen to songs by Outkast on Myspace, Stream Free Online Music by Outkast —Gruttadaro, “The South got something to say”: in retrospect, André’s speech at the 1995 Source Awards in Manhattan pits Outkast against New York. On the Organized Noize–produced beat, he flexes his prowess for moving weight, but it’s André’s bar warping that perks my ears every time: “I’m sorry, like Atari, who’s the cousin to Coleco / Vision? When their single “One Nation” hit, rather than create a new mythology around it, the group leaned into the theme of accessibility, buying the stock of Army-Navy outlets to fill their wardrobe as they went out on what he called the “Anti-Tour,” creating fashion along the way. From ‘Southernplayalisticadillacmuzik’ to ‘Idlewild,’ from Bankhead to Mars, this is the best of the best by hip-hop’s most effortlessly cool duo of all time. In four lines, he paints a picture of the difference between choice vs. nature, drug tourism vs. growing up in that world. It’s not their best album (that’s Aquemini) and it’s not the one that made them household names your mom would recognize (that’s the one with “Hey Ya!”), but it is their most daring, influential effort. The remix was released as the final single for the album, and its extremely ’90s music video is still elite. —Sherman, From the opening baby wail it’s pretty clear that this song is about grinding. But they also had the burden of carrying a region not yet primed to run music and the reputation that they’ve ascended past their childhood peers back home. Billboard 200 chart, selling over 530,000 copies the first week. Shortly after its release, rap and R&B became more adventurous, and soon pop followed. “War” begins with a call to action from Big Boi on the general state of affairs in America. It’s only a matter of time. You can view Outkast’s second-to-last album as the beginning of the breakup of one of the most brilliant duos of all time—or as the start of Big Boi’s exceptional solo career. “We Luv Deez Hoez” is an embarrassing song that aged poorly, but I laugh every time I get to the end of Big Boi’s first verse: Yeah, I told y’all niggasAbout god damn takin’ them hoez to the Cheesecake FactoryLettin’ them hoez order strawberry lemonade and popcorn shrimpsThey ain’t goin’ do nuthin’But try to take all your motherfuckin’ cheese! We don’t have any upcoming events for this artist right now. Because think on it like this: Of course their first album was going to have a title (Southernplayalisticadillacmuzik) that only they could get away with. That’s who loved it.” Let it also be known that it inspired one of the best tweets of all time. The final track to an iconic Outkast album that legitimizes their place in rap while showing a glimpse into their out-of-this-world future. Fittingly, when the tour rolls to a stop, it transitions into another lesson on the “Da Art of Storytellin’ (Part I).” —Daniel Chin. —Chin, Aquemini’s penultimate track is preceded by “Nathaniel,” an interlude that features a real-life collect call that Atlanta rapper Supa Nate made to Big Boi from jail. “Tight like hallways / Smoked out always,” goes the refrain, and lyrically that’s all the song really needs. We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. André 3000 wears Dia de los Muertos face paint in the music video, while Killer Mike steals the show (Randy Moss–style) with his verse. But on “Skew It on the Bar-B,” the Chef definitely didn’t seem out of his element surrounded by some ATLiens. Shit, let me get the faux-fur Kangol, too. It includes all the hits and classics you’ve come to love, plus the deep album cuts and B-sides that show off their versatility. Sometimes when you reach the summit of popular music it gives you a better vantage point of what’s burning below. Over a four-minute stretch, Big Boi sets the André-produced beat ablaze. The other started breeding pit bulls. —Sayles, This was a warning to all the punk motherfuckers: If you try to get a piece of mine, I gotta grab my piece. André 3000 asks listeners, “Don’t everybody like the smell of gasoline?” before pivoting to a similar question about apple pie. “Roses” is a crucial bridge between Speakerboxxx and The Love Below (it marks Big Boi’s only appearance on the latter), and a top-10 hit despite its flagrant weirdness and, well, harshness: If you do pull it out at karaoke, just be advised that the outro requires you to repeat the words crazy bitch, like, 500 times. Its beat is a monster that would swallow up most rappers – snare hits spray the vicinity like AK-47s while a … I know Killer Mike and El-P met in the early 2010s, but, essentially, Run the Jewels begins with “Snappin and Trappin’.” —Justin Charity, In 1996, Outkast was just two dope boys in a Cadillac. Jackson,' which was featured in the Lucifer soundtrack, and 'Prototype,' featured in the High Fidelity soundtrack. It’s gangsta rap for the South. “There’s only so much time left in this crazy world,” he purrs, doubled by slinky jazz guitar and sounding so laid-back he’s horizontal, he’s floating in midair upside down. 105 more photos, Javascript is required to view shouts on this page. —Rodger Sherman, Outkast achieved enormous acclaim during the mid-1990s with their debut, Southernplayalisticadillacmuzik. In that case, there was a copyright involved, and if André and Antwan had never heard of Glenn & Co., they knew it was best to stay away. How were they gonna get any respect? Between 2006 and 2007, André was employing a scorched-earth policy, dominating on every rap verse he delivered. —Sherman. —Sayles, One of the cuts that didn’t make it on the Atlanta duo’s debut album, “West Savannah” was thrown onto Aquemini as a bonus, according to Big Boi in a 2010 oral history on the Southern rap classic. The four-minute track feels like you’re sitting backseat on a driving tour of West Savannah, Georgia, with Big Boi at the wheel and Sleepy Brown riding shotgun. André’s clear-eyed and sober manifestations clash with Big’s increasingly entertaining slick talk. They too created fashion along the way: I still want that Braves jersey, and I don’t even watch baseball like that. Leave feedback. The song feels both familiar and cosmic, and it fucking rules. Official YouTube channel for OutKast. —Harvilla, Technically, this song isn’t eligible to be included on this list, since it’s not an Outkast release, instead coming out on a UGK album. It’s surprising and not in the oh-shit-that-ghost-popped-out-of-that-lady’s-soul kind of way. 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